This show is sold out
DOORS 7 / MUSIC 8

Horse Lords were founded in Baltimore in 2010; they evolved from the experimental collective Teeth Mountain and began as a trio with drummer Sam Haberman, guitarist Owen Gardner, and bassist Max Eilbacher, soon adding alto saxophonist Andrew Bernstein to the core ensemble. Though Horse Lords grew out of the fertile Baltimore noise and leftfield rock scene, a storied environment for artists and weirdos that has nurtured many an influential outsider band (Lungfish, Matmos), their approach is more omnivorous than the stippled rhythms of instrumental electric rock would indicate.

Across sixteen years of frequent touring, Horse Lords have released ten studio, live, and collaboration albums in addition to a split EP with fellow Baltimoreans Lower Dens, a handful of singles and compilation tracks. For RVNG’s FRKWYS series, the band collaborated with Berlin-based composer Arnold Dreyblatt, a onetime student of La Monte Young and Pauline Oliveros whose just intonation chamber music was a crucial part of the post-Fluxus Downtown New York City environment.

Silk Fence is a New York–based instrumental electro-acoustic trio between three longtime friends and collaborators—Arian Shafiee (Guerilla Toss, etc.) on electric guitar, Booker Stardrum (SML, etc.) on drums and percussion, and Justin Frye (PC Worship, etc.) on double bass and tapes. The group stretches the sonic possibilities of their instruments while exploring long-form, texture-driven minimalism and time-based improvisation.

Recorded throughout 2024 and 2025 between Brooklyn and Bethel, New York, Silk Fence presents the trio at its most focused. Over the course of 35 minutes, the group creates unhurried snapshots that appear and dissolve––at times into immersive soundscapes, and at other times into unflinching, propulsive grooves. The album unfolds as a study in subtle changes within repetition, blending kraut-jazz intuition and slowly shifting acoustic and electronic textures. It batters and lilts, resisting easy categorization: crossing stylistic boundaries to arrive, ultimately, at a sound all its own, deeply rooted in the musicians’ shared devotion to improvised music in all forms. At just four tracks, Silk Fence is a complete, unfussy musical statement.