Tickets at the door> Doors 7 // Music 8

In the late 1980s, the world experienced a second Summer of Love, when the spirit of freedom—and hedonism—once shared by psychedelic San Francisco hippies in 1967 was revitalized in the United Kingdom, fostered in illegal underground raves fueled by MDMA and acid house imported from the shores of Ibiza. Rave culture spread around the world like wildfire, and few places embraced it like Florida, where scenes coalesced in places like Miami, Tampa, Orlando, and Gainesville, making the state a rave capital for much of the ’90s. They Hate Change, a rap duo from Tampa steeped in the myriad electronic subgenres that permeated their home state, represent the latest stage in the evolution of sounds that traveled from Chicago to Ibiza, from London to Miami. On their latest LP, Finally, New, they spit aggressive, East Coast-flavored braggadocio raps over UK breaks and drum’n’bass beats filtered through local styles like Tampa jook and Miami bass. Even amid a deluge of rap music made with sounds from the club, little else sounds like this.